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Paul Klee in 1911 Born 18 December 1879 near, Switzerland Died 29 June 1940 ( 1940-06-29) (aged 60), Switzerland Nationality German Education, Known for Painting, drawing, watercolor, printmaking Notable work more than 10,000 paintings, drawings, and etchings, including (1922), Fish Magic (1925), Viaducts Break Ranks (1937). Movement,, Paul Klee ( German:; 18 December 1879 – 29 June 1940) was a German artist. His highly individual style was influenced by movements in art that included,, and. Klee was a natural draftsman who experimented with and eventually deeply explored, writing about it extensively; his lectures Writings on Form and Design Theory ( Schriften zur Form und Gestaltungslehre), published in English as the, are held to be as important for modern art as 's for the.

He and his colleague, Russian painter, both taught at the school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. My Room (German: Meine Bude), 1896.

Pen and ink wash, 120 by 190 mm ( 4 3⁄ 4 by 7 1⁄ 2 in). In the collection of the Klee Foundation, In his early years, following his parents’ wishes, Klee focused on becoming a musician; but he decided on the during his teen years, partly out of rebellion and partly because of a belief that modern music lacked meaning for him. He stated, 'I didn't find the idea of going in for music creatively particularly attractive in view of the decline in the history of musical achievement.' As a musician, he played and felt emotionally bound to traditional works of the and century, but as an artist he craved the freedom to explore radical ideas and styles. At sixteen, Klee’s landscape drawings already show considerable skill. Around 1897, Klee started his diary, which he kept until 1918, and which has provided scholars with valuable insight into his life and thinking. During his school years, he avidly drew in his school books, in particular drawing, and already demonstrating skill with line and volume.

He barely passed his final exams at the 'Gymnasium' of Bern, where he qualified in the. With his characteristic dry wit, he wrote, 'After all, it’s rather difficult to achieve the exact minimum, and it involves risks.' On his own time, in addition to his deep interests in music and art, Klee was a great reader of literature, and later a writer on and. With his parents' reluctant permission, in 1898 Klee began studying art at the in with and. He excelled at drawing but seemed to lack any natural color sense. He later recalled, 'During the third winter I even realized that I probably would never learn to paint.' During these times of youthful adventure, Klee spent much time in pubs and had affairs with lower class women and artists' models.

He had an illegitimate son in 1900 who died several weeks after birth. Idea New Ad Ringtone Download Free. After receiving his Fine Arts degree, Klee went to Italy from October 1901 to May 1902 with friend. They stayed in Rome, Florence, and Naples, and studied the master painters of past centuries.

He exclaimed, 'The and the have spoken to me. Wants to suffocate me.' He responded to the colors of Italy, but sadly noted, 'that a long struggle lies in store for me in this field of color.'

For Klee, color represented the optimism and nobility in art, and a hope for relief from the pessimistic nature he expressed in his black-and-white grotesques and satires. Returning to Bern, he lived with his parents for several years, and took occasional art classes.

By 1905, he was developing some experimental techniques, including drawing with a needle on a blackened pane of glass, resulting in fifty-seven works including his Portrait of My Father (1906). In the years 1903-5 he also completed a cycle of eleven zinc-plate called Inventions, his first exhibited works, in which he illustrated several grotesque characters. He commented, 'though I'm fairly satisfied with my etchings I can't go on like this. I’m not a specialist.' Klee was still dividing his time with music, playing the violin in an orchestra and writing concert and theater reviews. Marriage and early years [ ] Marriage [ ].

Paul Klee as a soldier, 1916 A few weeks later, began. At first, Klee was somewhat detached from it, as he wrote ironically, 'I have long had this war in me. That is why, inwardly, it is none of my concern.' Klee was as a Landsturmsoldat (soldier of the reserve forces in or Imperial Germany) on 5 March 1916.

The deaths of his friends and in battle began to affect him. Venting his distress, he created several pen and ink on war themes including Death for the Idea (1915). After finishing the military training course, which began on 11 March 1916, he was committed as a soldier behind the front.

Klee moved on 20 August to the aircraft maintenance company in, executing skilled manual work, such as restoring aircraft, and accompanying aircraft transports. On 17 January 1917, he was transferred to the Royal Bavarian flying school in (which 54 years later became the ) to work as a clerk for the treasurer until the end of the war. This allowed him to stay in a small room outside of the barrack block and continue painting. He continued to paint during the entire war and managed to exhibit in several shows.

By 1917, Klee's work was selling well and art critics acclaimed him as the best of the new German artists. His (1917) is particularly noteworthy for its sophisticated technique.

It employs watercolor on gauze and paper with a chalk ground, which produces a rich texture of triangular, circular, and crescent patterns. Demonstrating his range of exploration, mixing color and line, his Warning of the Ships (1918) is a colored drawing filled with symbolic images on a field of suppressed color. Mature career [ ]. Red Balloon, 1922, oil on muslin primed with chalk, 31.8 x 31.1 cm.

The, New York In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer, whose influential gallery gave Klee major exposure, and some commercial success. Empire Earth Ii Map Downloads. A retrospective of over 300 works in 1920 was also notable.

Klee taught at the from January 1921 to April 1931. He was a 'Form' master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: 'I also approve of these forces competing one with the other if the result is achievement.'

Tropical Gardening, 1923 watercolor and oil transfer drawing on paper, The Solomon R. Guggenheim Museum, New York. Klee was also a member of (The Blue Four), with Kandinsky,, and; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major on Klee's work was published, written by Will Grohmann.

Fright of a Girl, 1922, Watercolor, India ink and oil transfer drawing on paper, with India ink on paper mount,, New York Last works in Switzerland [ ] In this period Klee mainly worked on large-sized pictures. After the onset of illness, there were about 25 works in the 1936 catalogue, but his productivity increased in 1937 to 264 pictures, 1938 to 489, and 1939 – his most productive year – to 1254. They dealt with themes, expressing his personal fate, the political situation and his joke. Examples are the watercolor painting Musiker (musician), a stickman face with partially serious, partially smiling mouth; and the Revolution des Viadukts (Revolution of the Viadukt), an art.

In Viadukt (1937) the bridge arches split from the bank as they refuse to be linked to a chain and are therefore rioting. Since 1938, Klee worked more intensively with hieroglyphic-like elements. The painting Insula dulcamara from the same year, which is one of his largest (88 cm × 176 cm (35 in × 69 in)), shows a white face in the middle of the elements, symbolizing death with its black-circled eye sockets.

Bitterness and sorrow are not rare in much of his works during this time. (Death and Fire), 1940, oil on distemper on jute, Zentrum Paul Klee, Bern Klee created in 1940 a picture which strongly differs from the previous works, leaving it unsigned on the scaffold. The comparatively realistic, Ohne Titel, later named as Der Todesengel (Angel of Death), depicts flowers, a green pot, sculpture and an angel. The moon on black ground is separated from these groups. During his 60th birthday Klee was photographed in front of this picture. Reception and legacy [ ] External video on, (3:38), (UK) Contemporary view [ ].

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